Above, the hosts of angels sing praise; below, men form choirs in the churches and imitate them by singing the same doxology... The inhabitants of heaven and earth are brought together in a common assembly; there is one thanksgiving, one shout of delight, one joyful chorus. (St. John Chrysostom) How can we participate fully and harmoniously in this "joyful chorus" when we cannot easily perceive the angels with our physical senses?

Are we aware of the depth and breadth of meaning in the words "Lord, have mercy" as we recite or sing them in the Mass? Studying the use of the word "mercy" in the Old and New Testaments, in Church Tradition, and in the great Liturgical traditions of the East, opens up new vistas in which we see that this not only a plea for the forgiveness of our sins, but also for God's gracious help in all dimensions of our lives and in the the lives of all people.

Outside of the world of opera, isn’t there something fundamentally incompatible between sincere penitence and singing? How then has the Liturgy brought these two seemingly contradictory acts into harmony with one another?

Do the liturgical musical settings we use in the Mass correspond to the description given by the Second Vatican Council – that they are to be a “new part in the musical heritage of the Church, not unworthy of its past”? Do they radiate the holiness, beauty, and universality which have characterized this heritage?

Because our seminarians and priests have typically been strongly influenced by the music of our secular culture, and cut off from an authentic living tradition of priestly chant, they are often in need of discernment and/or re-education in this important aspect of their formation.

When we read the words “opening the celebration” in the GIRM, it is crucial to remember that the Sacred Liturgy is no ordinary celebration. It is one of transcendent dignity, instituted by Christ, handed down through the Apostles and their successors, in which heaven and earth are meant to meet.

Let's begin by reviewing three essential principles articulated by the Second Vatican Council, which provide a clear and reasonable basis for the choice of music in the Liturgy of the Roman Rite.

I am very happy to announce the resumption of my regular blogs and podcasts on the renewal of Catholic sacred music, beginning on January 6th (the traditional date of the Epiphany.)

Mary's Magnificat is also suited to be at the heart of all our work. Whether it be in the way we make music, in the way we relate to one another, or in the way we meet the many challenges which belong to our vocation, we are called to reveal, each in our own small way, the infinite goodness of the Lord.

Sacred liturgical music, whether it be traditional or contemporary, can only fulfill its purpose to the extent that it leads us, clearly and strongly, beyond itself to the silent presence of God.

Under the Pope's strictest orders for silence, the great Egyptian obelisk was being carefully moved to the center of St. Peter's Square. But as the ropes began to fray and monument began to sway, the simple words shouted out by a sailor averted disaster and merited a great reward. We too, in our quest for the renewal of sacred music, need to know when to be silent and when - and what - to shout out.

We need to reflect upon and define two terms which I have been using rather freely and frequently up until this point: the Sacred Liturgy and Sacred Music. A deeper understanding of these terms is fundamental to our ongoing mission!

As much as we might wish to think that nobility or greatness of soul is beyond our reach, the Gospels are clear that Jesus calls each of us to such magnanimity... Christ is calling us to expand our hearts, so as to share in God's tender paternal love for all people.

"...If we become adept with our external forms of worship, however holy and venerable... but fail to grow to maturity in reverence, something essential will be missing."

How can the music heard today in the Catholic Church be renewed so as to faithfully fulfill its traditional role – to proclaim the divine dignity of the Mass, and to draw people into its contemplative dimension of reverent adoration, transformation, and loving communion? Please join me as we study the oft-neglected but luminous path which the Church has charted for this inspired renewal, and as we share our questions and challenges along the way.

How can the music heard today in the Catholic Church be renewed so as to faithfully fulfill its traditional role – to proclaim the divine dignity of the Mass, and to draw people into its contemplative dimension of reverent adoration, transformation, and loving communion? Please join me as we study the oft-neglected but luminous path which the Church has charted for this inspired renewal, and as we share our questions and challenges along the way.

How can the music heard today in the Catholic Church be renewed so as to faithfully fulfill its traditional role – to proclaim the divine dignity of the Mass, and to draw people into its contemplative dimension of reverent adoration, transformation, and loving communion? Please join me as we study the oft-neglected but luminous path which the Church has charted for this inspired renewal, and as we share our questions and challenges along the way.

How can the music heard today in the Catholic Church be renewed so as to faithfully fulfill its traditional role – to proclaim the divine dignity of the Mass, and to draw people into its contemplative dimension of reverent adoration, transformation, and loving communion? Please join me as we study the oft-neglected but luminous path which the Church has charted for this inspired renewal, and as we share our questions and challenges along the way.

How can the music heard today in the Catholic Church be renewed so as to faithfully fulfill its traditional role – to proclaim the divine dignity of the Mass, and to draw people into its contemplative dimension of reverent adoration, transformation, and loving communion? Please join me as we study the oft-neglected but luminous path which the Church has charted for this inspired renewal, and as we share our questions and challenges along the way.

How can the music heard today in the Catholic Church be renewed so as to faithfully fulfill its traditional role – to proclaim the divine dignity of the Mass, and to draw people into its contemplative dimension of reverent adoration, transformation, and loving communion? Please join me as we study the oft-neglected but luminous path which the Church has charted for this inspired renewal, and as we share our questions and challenges along the way.